[B]Interfacing the City [/B]

For the most part, 'ubiquitous computing'--the growing trend of imbedding computers in our everyday surroundings--seems to encourage connecting with things we enjoy or need (or the things marketers think we enjoy and need) and avoiding pretty much anything else. iPods allow us to walk around in our own imaginary music video and GPS navigation systems in cars take you directly from point A to point B on the most direct and efficient route. But this tendency to isolate social experience within the known and familiar is not going unchallenged. Many designers, engineers and artists are creating other uses for the ubiquitous networks of communications devices being built around us--uses that attempt to focus attention outward rather than inward. 'The Interactive City,' one component of next year's ISEA and Zero One festival, will feature projects that expand participants' knowledge and experiences of their surroundings. Set in San Jose, CA--the 'Spirit of Silicon Valley'--organizers are currently looking for submissions for 'urban-scale' works that foster novel relationships between the city and its inhabitants. The deadline for proposals is 22 April. - Ryan Griffis

http://www.urban-atmospheres.net/ISEA2006/


Body Movin'

The 2005 Boston Cyberarts Festival began April 22 and encompasses more than 70 exhibitions, performances, and workshops in the Greater Boston Area. Since 1999, the biennial festival has brought together artists who work with cutting-edge technologies to show work, discuss the ways new technologies are impacting art practice, and share skills with each other. This year marks the addition of a new conference to the Cyberarts Festival: Ideas in Motion: Innovations in Dance, Movement, and Technology. As means of real-time interactivity between the body and computers become more accessible, many dancers and choreographers have embraced these innovations, creating complex multi-media performances. Highlighting these novel intersections between the body and various media, the Ideas in Motion conference will feature a keynote address from John D. Mitchell, a professor of the Department of Dance at Arizona State University and an early innovator in the use of computers in dance, as well as performances from a number of dance companies including Troika Ranch (NYC), Mei Be Whatever (NYC), Fico Balet (Slovenia), and Kinodance (Boston). Other highlights of the Cyberarts festival include an exhibition of work incorporating GPS and Satellite Imaging and an interactive installation by Scott Snibbe. - Matt Boch

http://bostoncyberarts.org/

Right (Click) to Die

'Should digital euthanasia be applied in this case?' asks the gateway page of Eugenio Tisselli's recently-launched 'degenerative' project. Not afraid to push a hot button issue into new territory, the artist is here refering to the mindless text-noise yielded by the logic that he has built into his project: the 'degenerative' page--a field of text featuring such questions as, 'is visual culture a ritual of cannibalism and rebirth?' and 'does everything contain the seed of its own destruction?'--is programmed to atrophy by one character each time a visitor views it. The site offers the option of seeing the current state of the project or reviewing a log that charts the decay yielded by traffic to the site on each day subsequent to its launch. Already, the process has progressed to the point where the excitement is essentially past. Finally, whereas the state of ambiguous mental stasis that makes 'non-digital' euthenasia cases so agonizing provokes hard, human questions, the swift and predictable logic of 'degenerative' seems more to allegorize how digital efficiency saps such questions of their gravity. - Ben Davis

http://www.motorhueso.net/degenerative/


Multiple domains causing a headache? Projects, blogs, and e-commerce side jobs running here, there, and everywhere? Why not simplify our online livelihood by administering all your websites through one, single hosting plan? New for spring, through May 9, Broadspire Hosting has arranged a special Bundle Pack for Rhizome members that includes up to five separate accounts for one monthly payment. Each account may take its own domain name and includes an individualized email account and web traffic stats. A total of 500MB storage space is to be divided among the five, however you like, and there's a roomy 10GB limit to monthly transfers. Daily data backups and 24/7 technical support as well! All for a $50.00 setup fee and $29.95 per month, plus the peace of mind of having everything under one roof, not to mention of keeping Rhizome healthy, active and multivalent. - Rhizome.org

https://www.broadspire.com/order/rhizome/bundlepack.html

Dying for Non-Corporeal Art

Dragan Zivadinov doesn't have great hopes for his actors' longevity; he's confident that by 2045, the 16 performers in 'One versus One' will have all died and been replaced by robotic models, which will utter digital melodies in place of dialogue. First presented on April 20th, 1995, the performance will be repeated every ten years on the same day until 2045, by which point the cast should have transformed into mechanical ghosts. Zivadinov's own death is scheduled for May 1st, 2045, when he will fly into the geostatic orbit and place the robots at 16 points around the earth, before realising his dream to become 'empty-bodied in the absolute nothing with my instinctive physicality' (the fate of his collaborator, Dunja Zupancic, is not stated). This 50-year action is intended to finally abolish mimetic theatre and establish the rule of non-corporeal art. A founder of the Neue Slovenische Kunst (NSK: New Slovenian Art) experimental art movement, Zivadinov's work comprises a series of 'farewell rituals' exploring faith, death and the end of the world through performance art. This decade's performance takes place on April 20th, 2005 in Moscow, where he has previously staged a performance in zero gravity. - Helen Varley Jamieson

http://www.nskstate.com/noordung/dragan-empty.php

A Gift of the Self

Tamara Lai's (FR) previous provocations include 'Art-Death,' asking 'How beautiful are we?' and proposing 'To make a portrait of God.' Now, Lai is offering a gift of herself with 'Sacrifice.' Everyone who contributes online work to 'Sacrifice'--classified as either a 'gift of the self' or 'a gift of the other'--before May 31st will receive a signed slice of the artist's virtual body. Gifts so far include portraits of artists as martyrs, meditations on the state of the world, a broken doll on the street, a broken child in a morgue, a paper boat on a wire mesh, two men debating on the choice of the sacrificial lamb--texts, images, animations and interactive works. Lai's own contribution employs explosive pop-up windows and links to sites discussing terrorism and free media. The collected offerings invite contemplation of all aspects of the concept of 'sacrifice;' who is making the sacrifice, what is being sacrificed, and why? A blog, 'BLOG HOST 'pour petits & grands sacrifices / for little & big sacrifices' is 'coming back soon' (I hope it hasn't been sacrificed! ) - Helen Varley Jamieson.

http://www.imal.org/tamara_lai/sacrifice/sacrifice.htm


[B]It's Human Nature[/B]

Before private ownership, all natural resources were open to everyone. But how open is nature today? Nature has always been a product of human perception, identified one day by our ancestors and continually discovered on macro and micro scales. Mechanisms such as DNA and ecosystems were named in the latter half of the 20th century; and now, we are simultaneously surrounded both by nature in its primal sense, as well as by its artificial and virtual derivations. The latter are becoming more and more real, and amalgamating with 'original nature.' The exhibition 'open nature' at InterCommunication Center (ICC), Tokyo, focuses on the technological, aesthetic and philosophical 'openness' of nature. Yukiko Shikata, ICC curator for the exhibition, says 'open nature presents several different approaches interpreting the new 'nature' that has emerged due to the development of digital information environments.' Artworks by visual and sound artists range from Robert Smithson's ‘Spiral Jetty’ (1970), to r a d i o q u a l i a's ongoing 'Radio Astronomy,' to Fukuhara Shiho and Georg Tremmel's (UK/Japan/Austria) new project 'Biopresence 2055,' for which they will embed human DNA in trees, transforming them into 'living memorials.' - Keisuke Oki

[URL]http://www.ntticc.or.jp/Schedule/2005/Opennature/[/URL]

I Blog, Therefore I Curate

One could cogently argue that blogging, a daily ritual for millions, is an essentially curatorial act. To blog is, after all, to stage--through selective inclusion, exclusion, and recontextualization--a performance of individual identity, to imaginatively order an inchoate universe through the re-centering lens of subjectivity. The blogger can reincarnate her- or himself as an authoritative and consequential presence, with a voice and purpose. Unflattering as the analogy may be to many curators of fine art, it holds, and Liverpool-based curator Michael Connor has playfully evoked it with what may be the first blogged art exhibition, 'Raiders of the Lost ArtBase.' Commisioned by Rhizome, Connor has delved into the platform's ArtBase--a nearly six-year-old online archive of more than 1,500 new media artworks--to excavate its 'buried treasures' in weekly blog postings. Connor's commentary is refreshingly de-jargonized and entertaining ('OK, turn the techno off, put Rod Stewart back on, and get back to work'), giving this curatorial project a wonderfully personal and decidedly non-institutional feel. There's an earnestness to Connor's manner that underlines and celebrates the ways in which curators have become visible pundits with personalities and agendas--or bloggers, if you will. - Andy Comer

http://www.rhizome.org/art/exhibition/raiders/

What's Eating Gilbert and Grape?
Courtship between two periods in history customarily leads to each sharing the other's things, like tastes for fashion, art and home decor. But, perhaps it is the impossibly bridged distance between flirting times and aesthetics that keeps history perpetually romancing itself. GilbertandGrape (hopefully their singing namesakes would enjoy being conflated with a Leonardo DiCaprio movie) are two New Europeans who describe their art practice as 'performance journalism.' Helen Pritchard (UK) and Anne-Marte Eidseth Rygh (Norway) have set out on a stubborn three-year journey called 'Lone Ranging Romance,' during which they will travel by Volvo through their homelands, with an iconic 20-kilo moose head, conducting interviews around the subject of nostalgia with the ‘heroes’ they meet along their way. These found respondents will be subsequently mythologized into the epic voyage, and the interviews will be posted to GilbertandGrape’s blog every second Thursday of the month. 'Lone Ranging Romance' will conclude when the aforementioned moose head, 'The Lone Ranger,' reaches Nordkapp, Norway, 'where the midnight sun never sets.' This will occur in 2008, timed with the UK and Norway each hosting European Capitals of Culture, and thus becoming sites for historic and arbitrary convergence. - Kevin McGarry

http://gilbertandgrape.blogspot.com/

Rhyme Star's Roadmap

With online assistance galore, speaking one's mind is no longer a chore. These days all you need is an internet connection. HTTP In Tha House will give your flows a dot-org inflection. Plasma Studii's Judson developed the site to 'shout out some dope rhymes,' and the battle-worthy bot delivers, time after time. Type in a URL (on your Dell?) and HITH produces a holla for your homies to yell. This site reads your site's script all dramatic, and assembles 16 lines, automatic. HITH only needs a hundredth of your words, so 'it hacks them down and reassembles' for all the hip hoppin' nerdz. Bits and bytes are run through a rhyming dictionary, and results greatly vary. So try your URL again and again, subject yourself to an HTTP spin. Observe the cut-up given to Net Art News' home, Rhizome: 'class fresh object positioning hack// href http yack // agonistics a language game// http rhizome maim.' Judon's engine sifts your digital silt, assembles patchwork quilt, remixed to tha hilt. So bring some thesaurus to your chorus, or just reorganize your code. HTTP In The House brings fresh flows to your node. - Marisa S. Olson

http://plasmastudii.org/arch/rap/rap.html

You Can Feel It in the Air

At some point in our lives, we notice ourselves lugging around an overload of ideas and information. How is it that we continually play the role of unwitting receiver to a barrage of loaded transmissions? 'Transmission' is a series of exhibitions presented by the New Museum of Contemporary Art, which profiles artists and scholars exploring the concept of 'transmission' in and through new media, radio, sound and broadcast media. 'Airborne,' the second show in the series, takes on the 'aesthetic, sonic and socio-political' aspects of these cunningly concealed wireless transmissions. Curated by Anne Barlow and Defne Ayas, in collaboration with www.free103point9.org, the exhibition features seven works by New York-based artists that aim to give substance to intangible electronic signals and to the interests they power. Take Paul Davies 'Prayer Antenna,' which wittingly transforms viewers into supplicants as they kneel to insert their head into an ordained helmet covered with antennas; or Mendi and Keith Obadike's '4-1-9,' which invites one to compose an individualized email money transfer scam. Airborne will be at the New Museum until June 4, with performances on May 4 at 6:30PM. - Ophra Wolf

http://www.newmuseum.org/airborne/


You Can Be a Winner in the Game of Class

Recalling landmark 1980s board game Life, but in a key of conceptualist critique, Richard Rinehart's blog-cum-multi-player online game directs a fish-eye lens at that great vanishing mediator of the American scene, social class. The blog features Rinehart's astute, personal insights into class's elusive markers, while an array of multiple-choice cards bearing impish questions like 'What kind of raincoat would you buy?' lead a character around the game board. With a nod to Beuys' 'social sculpture' trope, 'Reading Class' deploys the social software of blogging and interactive gaming to devise a composite map of class mobility. There's small development glitches: it's unclear how to register the presence of other players or past journeys, limiting the interactivity to 'back-end' technology of the database and the site's blog, and the character tends to drift off the board. The role of street culture in problematising social distinctions would have been good to address, too. Nonetheless, a sharp intervention in the lineage of 'They Rule' and Michael Alstad's 'Choice Maps,' plotting the material differentials of power and consumption that shape the anxious fairytale of everyday life. - Marina Vishmidt

http://www.coyoteyip.com/readingclass



Baring It All

The newly available Fifth Sarai Reader, takes its title from the term 'Bare Acts,' the name for Indian legislation presented in its 'bare' form, free of interpretive explanations. The collection of creative and critical texts in 'Bare Acts' reveals how legal systems are negotiated and confronted in the processes of daily life and creative activity. Organized in chapters with titles like 'Disputations,' 'Trespasses' and 'Records,' the articles included address these conflicts from positions of geographic and subjective specificity, where abstract laws (like copyright) meet the concrete and flesh of cities and the people living in them. Sarai has made all of their readers available for free browsing and download, so you can chart their ongoing engagement with the collisions between local and global new media scenes. - Ryan Griffis

http://www.sarai.net/

One Foot in Front of the Other

With all the attention that 'locative media' seems to be getting within new media communities, it only makes sense that the actual process of moving bodies through space and place should be seen as a site worth investigating. The history of artists exploring the performative nature of walking--from Richard Long to Yayoi Kusama--provides one starting point for many contemporary practitioners. To give this developing history some context, the College of Fine and Applied Arts at the University of Illinois at Urbana-Champaign is hosting a symposium called 'Walking as Knowing as Making: a Peripatetic Investigation of Place.' About to start it's fourth, and final, session, the symposium has already delved into the social, environmental and aesthetic dimensions of walking with talks and guided walks by such notables as long time 'walking artist' Hamish Fulton. The upcoming fourth installment, beginning on 28 April, includes presentations by artist Walid Raad (of the Atlas Group) and architectural theorist Jane Rendell among others. If you're too far to walk to the events, you can find discussions and documentation from the symposium online. - Ryan Griffis

http://www.walkinginplace.org/

Re-do the Du!

Unlike Grandma's pearls, those that fill the cache of art history can, and regularly should be, replaced. The repeated pawning of seminal gestures perpetuates the value of their originals and the virility of their legacies. Thus the tradition of the readymade transplanted to the internet re-seeds the disjunctive potential of Duchamp's creations, but in projects that are more easily reblogged. For their current online exhibition, 'The New Readymades,' UK net art collective low-fi has selected eight net-based works by some of the masters of creative copy-and-paste, each of which investigates the effects of artistic replacements. Substituting human performers with computers (MTAA's '1 year performance video' and Darrel O'Pry's 'On Kawara Generator'), the appropriate owner of a website with an appropriator of the same website (Vuk Cosic's 'Documenta X'), or authentic net.art technologies with a Blogger.com diary (Abe Linkoln's 'My Boyfriend Came Back from the War'), these projects engage the online manifestation of the readymade as a migration that revitalizes the transformational potential of out of place art. - Kevin McGarry

http://www.low-fi.org.uk/?session=lowfi_list&lid=19




[B]Catching The 'Media' Bug [/B]

How often do we hum along to a song that we are not currently listening to? Or recite jokes from ads we don't remember seeing? These types of media could be considered, 'contagious,' or so deeply entrenched in the culture and psyche of our daily lives that they seem as natural as our normal routines. This phenomenon is outlined in Malcolm Gladwell's book, 'The Tipping Point,' which outlines the conditions necessary for cultural contagion to grow. In the online world, 'contagious media' might take the form of forwarded emails, obscure websites, senseless animations, or re-mixed video and audio samples. These snippets or cultural artifacts are the focus of 'Contagious Media,' a show of works by siblings Jonah and Chelsea Peretti and curated by Rachel Greene. The show, now up at the New Museum of Contemporary Art in New York City's Chelsea district, features installation and documentation of several contagious media projects by the duo (and their collaborators) including the infamous 'Nike Sweatshop' email forward and 'BlackPeopleLoveUs.com,' both of which have circulated through the inboxes and (dis)graced the browsers of millions worldwide. - Jonah Brucker-Cohen

http://www.newmuseum.org/now_cur_contagiousmedia.htm

[B]Just Obey Your Ads [/B]

The chipper, poignant and irksome imperatives launched from all corners of daily routine by competing companies permeate our commutes, grocery lists, and vernaculars. Current mantras like 'Laugh More. Cry More. Experience More.' (Blockbuster), 'Try Being More Of A Woman!' (Coty Perfume) and 'Get the Most Incredible Memory Ever.' (Dell) make big demands or promises to their targets! The Institute for Infinitely Small Things, based in and out of Boston, endeavors to compile authoritative research on this topic, comprising a project called The International Database of Corporate Commands. In the opinion that these commands function within society and public consciousness on a nano level that is virtual and powerful, the white-lab-coated Institute invites researchers from all over the world to upload documentation of corporate commands to their online database. By gathering them all in one place and enacting certain slogans in real spaces--a recent flash-mob-meets-teach-in 'microperformance' at a Cingular store produced 10 minutes of literal 'Roll(ing)over'--the institute hopes to produce a better understanding of the ramifications of constant commercial programming. If you'll be in Boston, come visit the Institute on Saturday and Sunday afternoons (2PM) at Space 200 (200 State Street). - Kevin McGarry

http://www.ikatun.com/institute/infinitelysmallthings/corporatecommands/

哪位好心人翻译一下？

晕菜

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吉尔伯特和Grape正在吃什么？
在爱幕的两者间通常经历着相互分享着彼此间的事情,比如感受时尚、艺术和家居装饰。然而，多数是不可能经历长时间的调情和审美自身上始终保持着永久的浪漫。吉尔伯特和Grape以新欧洲人身份记述他们的艺术实践如同“演奏作品”（他们充满希望的歌唱名字出于希望将尽情享受的人揉合成一部Leonardo DiCaprio电影）。Helen Pritchard (联合国)和Anne-Marte Eidseth Rygh (挪威)也实施出一个艰难的3年旅程并命名为“独自漫游的浪漫”（Lone Ranging Romance）,在此期间他们中任何一个旅行将坐着沃尔沃穿越他们的国家，带着图标20-kilo的驼鹿头，沿途行为将四周采访怀旧式的主题和“英雄主角”。这些找到的回答者随后编录到叙事旅行记中，采访也将会在每月的第二个星期四传输到吉尔伯特和Grape，当前述驼鹿头的时候“独自漫游的浪漫”将结束，“闲荡者”，延伸到高加索、挪威、“从未落下的夜半太阳”，这将至2008年，同步的联合国、挪威及各欧洲文化之都，如此合宜的景象是历史和专制的汇聚。- Kevin McGarry

还有没

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界面都市
在极大程度上，“无处不在的处理”—是我们日常生活中电脑不断的发展趋势—象是去激励我们连接享受与需要的事物（或是市面料想我们的喜好与需求）和避开几乎任何其他的东西。iPods允予我们旋走在我们自己虚构的音乐录象中和全球定位导航系统在研究站即刻拿取你从A点到B点当时最大量的指引和有效的路线。但是这种趋向隔离了群居的体验并在内部引起异议。众多设计师、工程师和艺术家正创造其他途径为无处不在的网络建造符合人本身的通讯器件，尝试调整关注外部胜于内部。“交互的城市”，是明年的ISEA和Zero One festival的一个组成，将放映方案以扩充参与者在自身环境的知识与经历。始至圣何塞(美国城市)，CA—“硅谷精神”—组建者通常关注并提议“城市的规模”工作促进新奇的联结于这座城市与她的居住者之间。建议的最终期限是四月二十二日。- Ryan Griffis

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身体的移动
4月22日,在波士顿的“2005年波士顿Cyberarts展”将近70个展览会、剧幕表演和工作间,区域包括市区及郊区的。自1999年,双年展使艺术家们相互一起合作切磋技术共同去展现和探讨技术的方向，影响着艺术的实践并彼此共同分享着技术。今年标志性的是更新的研讨会议增加到了Cyberarts展：意念构思、舞蹈创新、动态和技术。同样意味有限联系的时间内在身体和电脑之间变得更易于相处，许多的舞蹈者和舞蹈指导们信奉着这些创新，引发出综合化的多重媒介表演。强调身体和各种各样媒体间的这些奇特交汇，意念构思的讨论会将特写出John D. Mitchell的政治演说，一个舞蹈系的教授在亚利桑那州州立大学和一个早期的革新者将电脑引用到舞蹈，表演都来自一个舞蹈群体编码，包括Troika Ranch (纽约), Mei Be Whatever (纽约), Fico Balet (斯洛文尼亚),和 Kinodance (波士顿)。Cyberarts展其他汇集包括一现场展示GPS（全球定位系统）、人造卫星成像和交互式装置。- Matt Boch

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人性世界

在私有体制之前，所有的自然资源是人人共享。但是现今的自然又有多开阔呢？自然总是被理解为人类的产物，认为我们的祖先在宏大且微小的比例上不断的发掘。例如DNA这种结构和生态系统是出自20世纪的下半叶；那么我们同时也被自然界最原始的感知所捆绕着，都至于它们人为的虚拟派生。后者转化得越来越实际并统称之“本性”。“开放的自然”展在交易中心(ICC)、东京、科技中心，美学的和哲学的自然的“开放”。Yukiko Shikata, ICC馆长为展览所言“开放的自然给予出独特不同的途径去解释新的“自然”，形成于数字化信息的发展”。艺术品是视觉和声音艺术家的范围，从Robert Smithson的‘螺旋码头’（1970），Radioqualia的正在进行的‘无线电天文学’，到Fukuhara Shiho和Georg Tremmel (纽约/日本/奥地利) 的新方案‘生物计划2055’,他们中任何一个将人类DNA嵌入到树中，转换他们到“生存记载”中。- Keisuke Oki

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彻底地消逝

“如果数字化的安乐死应用到这个场合中?” 是Eugenio Tisselli的最新发起的“退化”方案网页主题。不必担心推进一个激烈的观点深入到新的领域中，艺术家此时谈及到的无心的文本传输得益于逻辑学并建立到他的方案：“退化” 页面--- 一种文本式特征的这些疑问如：自相残杀和轮生转世是形象化文明的仪式?任何事物都容纳着它自身所特有的毁灭性的种子？---这个程序萎靡着每一个随时访问者的视觉。场所提供观看方案的浏览状态的选择权或回顾那衰退图表的日志及每一天方案的通信往来的地点。如此之快，在哪里能刺激本质的昔日作用就发展到哪点。最后，尽管暧昧的神智不清的状态造成了那么坚不可摧“非数字化”优境学案例，人类的质疑，“退化”敏感可预知的逻辑似乎更多的以寓言诠释怎样以数字化的效率排除他们地心引力的问题。- Ben Davis

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垂死的无形艺术
Dragan Zivadinov没有对他的表演者们的资历予以极大的希望，他确信2045年，16个表演者在“1与1”中将全部死去并被机械模特取代，在对话的空间将发出数字式的悦耳音调。最早上演是在1995年4月20日，表演将每十年在相同的日子重复着一直到2045年，任何一个角色将要转变成机械的幽灵。Zivadinov自己预估的死亡日期是2045年5月1日，当他将爆炸在地压的轨道里处于16点的机械人，之前觉悟到他的梦想变成“空洞的躯体完全的没有我的欲望”（他的合作者，Dunja Zupancic,注定是不确定的）.这个50年的行为有意地去最终废解模仿的剧场和建立无形艺术惯例。奠基人Neue Slovenische Kunst(NSK:新斯洛文尼亚艺术) 实验化的艺术舞蹈动作，Zivadinov的作品由一系列的“辞别仪式”探索信仰，死亡和世界末日的表演艺术。这个十年的表演发生在4月20日，2005年是莫斯科，他先前的表演舞台是飞行时之失重状态。- Helen Varley Jamieson

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押韵语明星之路标

和许多的在线援助一样，谈论之人的意见不再是烦锁的。目前大家的需求是一种互连网式的关系。HTTP服务器将你的流览域变化。等离子工作室的Judson发展了域址要去“大喊
些麻醉药物般的押韵词”，重复不断地和战役中杰出人物去拯救。典范在URL（服务程序上用于指定信息位置的表示方法）中（在你们的戴尔里？）同HITH产品让你们自在地喊叫。这个域址自动化的读取你域址的所有生动的原本并聚集16条线路。HITH仅只需要第一百个你的语令，那么它便出租它们并重新召集，尽管噜苏忙碌得令人讨厌。位数和字节贯穿了押韵词典，成效非常多样化。因而一遍又一遍地试验你的URL，依据你自己使HTTP运转。观测崭露于网络艺术新闻中，Rhizome：“类型开始对象放置辟出、HTTP闲聊、辩论语言游戏、HTTP瘫痪”。Judson的引擎详审你数字的残渣, 聚集拼凑物的摘录，再重新混合到HILT里。产生一些辞典到你的合唱中或仅仅只是改组你的编码。HTTP在机房带来的最新流览直到你们的网端。- Marisa S. Olson

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空气中感受

在我们的一些生活指数里，使我们注意到我们的周遭充斥着超负荷的观念和信息。要怎样我们才会不断地担任起不经意的接受者角色去拦阻满负的传输？传输是当代艺术新博物馆的一系列展览现场，任何一位艺术家和学者至始至终探索着“传输”概念的新媒体，无线电、声音和广播媒介。“空气传播”，连续的第二个展览，获得在场“美学的、有关声波的和社会政党” 等这些巧妙地隐蔽于无线传输方面。助理牧师Anne Barlow和Defne Ayas与www.free103point9.org合作，展现特色以7件来自纽约装置艺术家的作品，目标是难以捉摸的电子信号并去引发它们的功率。通过Paul Davies的“祈祷触动”，有意地转换观看者加入到恳求者，如同他们跪下已加进他们的脑中，有如任命的头盔隐蔽地带有天线；还有Mendi和Keith Obadike的“4-1-9”，邀请任何一位去组成具有特色的电子货币邮件转让的骗局。“空气传播”将在新博物馆展至6月4日，开展于5月4下午6：30。- Ophra Wolf

One Foot in Front of the Other
马不停蹄的意思吗？

大头的英语有进步了啊！八错啊

实际上关于作品的文字翻译了，我还是有点看的云里雾里的

不错啊翻译者！！

最近我也有接觸植物,不過沒有擁抱.

这种翻译够对不起党和人民的了!