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[北京] 风景的拓扑:玛吉画廊北京新空间开幕展

风景的拓扑
玛吉画廊北京新空间开幕展




开幕:2008年10月18日
时间: 16:00 – 19:00
展期:2008.10.18 - 2008.12.06
地点:北京市朝阳区酒仙桥路4号798艺术区E06

艺术家
崔岫闻、董文胜、高世强、蒋志、李超、李小松、马秋莎、屠宏涛、吴光宇、赵赵

策展人
苏文祥

玛吉画廊(北京)是西班牙玛吉画廊(马德里)在北京设立的分支机构,新空间位于著名的798艺术区,选择此处落户,表明了玛吉画廊进军中国当代艺术市场的决心。玛吉画廊(马德里)位于西班牙马德里的博物馆区,毗邻著名的普拉多博物馆、蒂森博物馆,拥有700平方米的建筑面积。
玛吉画廊(北京|马德里)重点致力于在全球范围内、特别是在欧洲的中国当代艺术家的推广及交流,拓展中国当代艺术的国际视野,提升西方社会公众对中国当代艺术的认知度,促进中国视觉文化在全球的推广与交流。
    玛吉画廊(北京|马德里)对自己所经营的艺术以及身为艺术行业重要链条的身份担负责任,抱以诚恳的心态以及坚定的态度;同艺术家们相互理解,彼此扶持,以艺术家的作品得到良性推广及世界肯定为自身价值的体现;为画廊的藏家们做到学术以及市场的真实引导,保障藏家的利益为职业道德;以中国当代艺术的多样化呈现以及中国文化的国际化推展为自身的愿景,从而积极促进画廊的逐步成熟和完善。
    迄今为止,玛吉画廊(马德里)已在西班牙做了一系列的中国当代艺术展,邀请了曹斐、崔岫闻、董文胜、高世强、蒋志、李青、李威、邱志杰、张小涛、韩磊、王亚彬、屠宏涛等一大批年轻的新一代艺术家参加,在西班牙艺术界引起了极大的轰动。
    玛吉画廊(北京)自5月份进驻798艺术区后,经过四个月的紧张筹备,将于10月18日举行开幕展,展览名为“风景的拓扑”,展览邀请了崔岫闻、董文胜、高世强、蒋志、屠宏涛等10位年轻艺术家参加,共展出绘画、摄影、录像装置作品共计13件/组。玛吉画廊(北京)希望通过此次视角独特又颇具学术思考的开幕展,继续推进中国当代艺术参与世界当代艺术的进程。

展览简介:
    人类自有目的地描摹(欣赏并具审美性质的刻画)历史以来,从来没有忽视过风景/自然。并且与风景相关的创作以后发展成为艺术细分后的一大项。风景由于其作为艺术家创作的基本素材重要的位置,因而被一再书写。风景由于自身语义的丰富,一度被用来隐喻社会现实,它们常常被用来指称社会学意义上的,与人的参与后果密切相联系的景观。在尊崇观念的当代艺术领域,风景常常成为艺术激进分子眼中保守与落后势力的象征,因此很少被谈及,即使出现在一些历史叙述中,通常也只处于历史分析的边缘位置。
    作为玛吉画廊(北京)开幕展——“风景的拓扑”要讨论的风景却不是绝对意义上的纯粹单一的风景。虽然,风景/自然环境又都在展出的这些作品自身结构中占据了重要的篇幅。但显而易见的一点是,它们都不是以直接表达“风景”为初始目的创作。在这些展出的作品中有些是借助自然风景作为载体的创作,有些探讨的是对风景如何重新“观看”的方法,有些则直接把自然风景作为材料来对待……。
   “风景的拓扑”也不打算从社会学或人文批判角度来评价每一件作品,与以往围绕着经典作品和杰出人物书写的艺术史文本呈现方式不同,本次展览“风景的拓扑”则是选择以“风景/自然”为视觉表征的作品作为讨论的话语中心。在艺术家选择或再造的一系列风景中,作为风景基本语言的天地、草木、水云等等互为关系,共同构织了一张关于风景的拓扑结构图。空间格局上的变化,视觉上的差异常常包含许多常被遗漏的思想史内容,这些展出的作品它们集体呈现后显现的差异性,也许有助于我们寻觅那些关于风景的蛛丝马迹。


Landscape Topology
The Opening Exhibition of Magee Art Gallery (Beijing)

Opening: 2008.10.18  
Time: 16:00-19:00
Dates: 2008.10.18 - 2008.12.06
Address: E06, 798 Art District, No.4 Jiuxianqiao Road, Chaoyang District, Beijing

Artists
Cui Xiuwen, Dong Wensheng, Gao Shiqiang, Jiang Zhi, Li Chao, Li Xiaosong, Ma Qiusha,       Tu Hongtao, Wu Guangyu, Zhao Zhao
Curator
Su Wenxiang

Magee Art Gallery (Beijing) is a branch institute of Magee Art Gallery (Madrid). The new space is located in the famous 798 Art District. Choosing this place shows the determination of Magee Art Gallery to enter contemporary Chinese art market. Magee Art Gallery (Madrid) is situated at C/Antonio Maura7-Bajo Izquierda, Madrid, Spain, the museum area of the city, adjoining to the renowned museums, Prado National Museum and Thyssen-Bornemisza Museum.

Magee Art Gallery (Beijing|Madrid) is dedicated to the exchange and promotion of Chinese contemporary art in Europe and the world, especially focusing on young emerging artists, with the goal of bringing a broader international vision of Chinese contemporary art, increasing the recognition of Chinese contemporary art among the Western public, and facilitating the spread of Chinese visual culture worldwide.

Magee Art Gallery (Beijing|Madrid), with sincerity and determination, takes full responsibility for the artistic activities it is involved in and for its important linking role between collectors and artists in art field.Magee Art Gallery aims to realize its values by playing an active role in promoting artwork for worldwide attention and recognition through support for and mutual understanding with the artists.Magee Art Gallery takes as its professional ethic to offer the collectors guidance in academic values and reliable information on art market to ensure their maximum interests are met. And the Gallery is committed to the mission of presenting diverse Chinese contemporary art and enhancing the global understanding of Chinese culture through its daily efforts.

Up until now, Magee Art Gallery (Madrid) has organized a series of contemporary Chinese art exhibitions in Spain, inviting Cao Fei, Cui Xiuwen, Dong Wensheng, Gao Shiqiang, Jiangzhi, Li Qing, Li Wei, Qiu Zhijie, Zhang Xiaotao, Han Lei, Wang Yabin and Tu Hongtao, etc, who are young Chinese artists of a new generation. These exhibitions have created a sensation in Spain.

After Magee Art Gallery(Beijing)entered 798 Art District in May, our first exhibition will be opened in October 18 after four months’ preparation. The exhibition is named “Landscape Topology” and it invites young artists Cui Xiuwen, Dong Wensheng, Gao Shiqiang, Jiang Zhi, Li Chao, Li Xiaosong, Ma Qiusha, Tu Hongtao, Wu Guangyu and Zhao Zhao to participate. There are 13 works exhibited including painting, photography and video installation. Magee Art Gallery (Beijing) attempts to continue to devote itself to the development of contemporary Chinese art through this exhibition with academic content, unique angle and young energy.

Exhibition Introduction:

Since the beginning of the intentional description (appreciation and aesthetic portray) of history by human beings, landscape/nature has never been ignored. The creation of art in related to landscape later developed into a major category after the classification of art. As a very important part of the basic materials of artists, landscape is described again and again. Because of its abundant linguistic meaning, landscape was once used for metaphorizing social reality. It is often referred as landscape in close relation to people’s participation result in a social meaning. In the field of contemporary art where conception is admired, landscape often becomes a metaphor for conservative and inferior force in the eyes of radical artists and is seldom mentioned. Even if it appears in some historical narration, it is usually at the edge of historical analysis.

As the opening exhibition of Magee Art Gallery (Beijing), the landscape discussed by “Landscape Topology” is not a pure and single landscape in an absolute sense. However, landscape/natural environment occupy important length of writing in the structure of these works. What is obvious is that they are not creations with the initial intention to directly interpret “landscape”. Some of these works are creations using natural landscape as media; some discuss how to re-observe the landscape; some directly use traditional and culture metaphorical natural landscape as materials for creation…

“Landscape Topology” does not intend to evaluate every artwork from the angle of sociology or humanist criticism. This exhibition chooses works with visual expression of “landscape/nature” as the center of discussion. In the series of landscapes chosen or re-constructed by the artists, heaven and earth, grass and trees, and clouds and water form a topology picture about landscape. The changes in spatial structure and form and visual differences include many contents of thought history that are often omitted. The discrepancy shown after the collective appearance of these works may help us search for those traces about landscape.

[ 本帖最后由 蜻蜓 于 2008-10-6 12:56 编辑 ]

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